Created in traditional for Gothic technique, using panel and egg tempera, this work, however, represents a turning point in the artist’s career.
In 1423 Masaccio travels to Rome, and from this point his painting frees from the influence of Byzantine and Gothic elements.
The golden background, the round halos of angels and the Virgin Mary refer to the traditions of old masters. Nevertheless, Roman and Greek influences prevail here. The pattern at the base of the throne is a replica of a design found on a Roman sarcophagus, its sides incorporate the three orders of columns from Roman architecture. The figure of the baby, naked and plump like a Roman putto, wears an elliptical halo and feasting on grapes, defines his position on his mother’s laps.
Mosaccio uses a single-point linear perspective, so the figures of Madonna and Child become the focal point of the painting.